linkage

Peter Druker on the multinational economy

We eat so many shrimp

Growing Number of Lawsuits Could Hurt Google's Ad Revenue

Kelly Mark: Special Projects: Glow House 2

COSIGN Conference, "The aim of the conference is, as always, to explore the way in which meaning is understood by, or produced with, computers."

{GRAPHICJUNKIES} ____________ So ruff, So tuff, Out here, Baby...

A Wooster Exclusive: Banksy Hits New York's Most Famous Museums (All of them)

Whiskey Bar: In the Name of the Son

Online Extra: Commentary: Apple's Blueprint for Genius

adaptive path » ajax: a new approach to web applications

SCREENFULL

Blogads: reader survey for blog advertising.

Frank Luntz's Republican word strategies for 2005 document (pdf), whoa..

worldprocessor

Hotel Debt California

Living Spaces

AOL's Terms of Service Update for AIM Raises Eyebrows

Married to the Hook by Greg Tate (on 50 Cent)

Los Angeles Times: Extreme Cinema Verite

Whiskey Bar: Home Movies

Graffiti Colr Pickr

The Way We Live Now: Our Currency, Your Problem Niall Ferguson on the US Dollar vs Asian Central Banks

Beware the Product Death Cycle, Art Kleiner on the decline of product quality.

EFF: Court Crushes Online Journalists' Rights

Sasha Frere-Jones on ringtones in the New Yorker

Spike Jonze addidas ad, not bad but if this is all that's going to come from his long rumored Harold and the Purple Crayon (aka best book ever) project then its a let down..

S/FJ on the mixtape awards

Raph's Koster's Keynote Address at the 2005 Game Developer's Conference.

John Battelle's Searchblog: Google Updates Desktop: MSFT Will Take Note

"Fuller famously expressed scorn for the idea that a war movie could ever be 'realistic.' He said that the only realistic war movie would be one in which a machine gun behind the screen would fire directly at the audience. (It's not surprising, in Fuller's terms, that Spielberg combines a claim to depict war realistically with an uncritical recapitulation of all the cliches about heroism, etc., that Fuller is rather concerned to demystify). So The Big Red One does not strive for realism; rather, it suggests precisely that war stands so far outside the parameters of everyday experience, and of livability, that it can only be represented as being profoundly 'unrealistic.'"

LRB | Slavoj Zizek : Knee-Deep

Wired 13.03: The UnGoogle (Yes, Yahoo!)

New iraqi flag..

Chris Jordan Intolerable Beauty: Portraits of American Mass Consumption

r - echos / jerome rigaud / informations flux / electro typo graphisme / electronic installation / media art(maybe I just linked to this, can't remember)

Hunter S. Deep Throat?