August 24, 2003
Black Ecstasy
Sort of sad that Simon Reynolds is talking about nadirs so much lately, cause its looking increasingly like the best music critic of the 90's is dangerously close to his own nadir. ? please Simon, how long before you realize that the British just can't make hip hop. Like all British hip hop the beats are solid. And like the best of the bunch the content of the lyrics is pretty intelligent. But fuck he could have wrote a book or something cause it ain't hip hop unless the shit flows. And Rascal's flow is about as forced as the case for the invasion of Iraq...
Now lets get to the irony. Not sure what's up with Mr. Reynolds, but he claims not know whether David Banner's Like a Pimp is hip hop's nadir or the start of something entirely new. Truth is its a manifestation of something Reynolds predicted a few years back in more astute times, black American ecstasy music. A song of pure E stabs, makes my skin tingle just listening to it. Who needs a groove when the beat keeps lifting that E higher and higher? Bone Crusher goes one better with an E rushing voice, who needs Mentasm when you can just use your lungs?
I'm beginning to think much of the British Rave Explosion E was laced with major amounts of speed. Would certainly explain the constantly escalating BPMs of the early 90's. Its not a property of the E at all, and the dirty south is showing just how effective the slowed down E sound can be. Finally, been waiting for this music for a while now. This is the sound of ecstasy plus soul, lets hear it multiply.
One last thought, could it be that Timbaland, in all his genius, might have actually slowed down this development? Don't think he actually eats the pills, but his excellent ear has been offering up audio close enough for the crowd. Fake black ecstasy for the club. And being on top of his game and commercial gold equals soundwave domination. But now the homegrown producers have found the space to emerge; the real black ecstasy sound is stepping forth. Tellingly their models seem to be DJ Screw and Manny Fresh, not Timbaland and Dre. This is music for the mixtape economy not the major label economy.
Posted by William Blaze at August 24, 2003 06:38 PM | TrackBackisnt all music up to interpretation? and as people imitate and put there own slant on it they create there own sound.All hip hop is about coming from adversity and rapping about where you have come from and your ideals such as boasting about drugs money and woman. there are elements of this in both the U.S and U.K
the U.K sound is more electronic based and tends to focus more on a drum and bass sound where as the U.S has become a cliche some what and has been the same since the early 80's so why not embrace this new strain of hip hop instead of being over critical in which case you miss out on alot of good music. hip hop is ever changing and i dear say that there will b a new form with ine the next 5 years.
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